Sony PXW-X70 Professional XDCAM Compact Camcorder – International Version (No Warranty)

If the price matters to you, forget it. I favor the handling of my Fuji X100 or the colors of the Canon G1 X for a fraction of the price.

Honestly, after examining this thing, I got my X100 to shoot for the weekend, and also the X100 is soooo much better in every substantial way! The X100 just goes, specifically with its twin optical and also digital finder, brilliant functional designs and also fantastic colors and also fill-flash in any kind of light– and also not just does Fuji not send me anything for Christmas; they really did not even allow me into their interview at CES last year!

This Sony seems as if it were developed by a newly-arrived product manager (clearly not a specialist photographer), and then it’s as if this guy decided to choose attributes based upon on-line input from a sea of random, confidential posters– not by allowing a seasoned expert photographer allow them know what an electronic camera truly needs. The RX1 seems

I likewise would not get the RX1 because its photo top quality isn’t good enough, particularly, I dislike its color rendition. I’m all about color, so if an electronic camera can not obtain the colors I demand, the remainder doesn’t matter. Certain I could try to fine-tune it in RAW or photoshop, yet what I need is much more refined than that, and also I question that I could obtain the colors I want even if I tried. Also if I could obtain my desired color rendition with a little job, why should I bother when either of the Nikon D600 and also 35mm f/2 AF-D or Canon 6D and also EF 35mm f/2 combinations provide far much better photo top quality (color rendition) with the same low-light efficiency for much less loan, and also manage to full DSLR degrees, not merely point-and-shoot degrees like the RX1. I love what I can get out of my Nikon and also Canon DSLRs, and also out of my Canon point-and-shoots. Heck, I have a Canon EOS-M here to examine following, and also I wager its colors are fantastic.

I favor the handling of my Fuji X100 or the colors of the Canon G1 X for a fraction of the price.

Slide it will, because it likewise evaluates in at a rather hefty one extra pound (482g). That’s a lot to hold with just a pincher grasp on leatherette, and also it obtains challenging to do in damp, icy, or damp problems, or with particular types of gloves on. It’s a pity that Sony really did not build a bit of a bulge into the front grasp setting; that would certainly enhance the handling a fair bit. Sony does offer a far as well costly TGA-1 thumb grasp for the electronic camera (US$ 250), which aids, yet I do not think that’s the appropriate option. A less costly and also much better option is Truly Right Stuff’s BXR1-Set, which includes both an Arca-style L-plate yet likewise a removable front grasp.

As I noted in my review of the RX100 models, Sony has discovered a new UI that’s a little bit DSLR-like and also really straightforward. Moving from the menus and also controls of the RX1 to the RX100 and also back is like using to highly relevant cameras. If you do a food selection dip, you’ll find a practically organized system with understandable names that’s very easy sufficient to browse. As a Nikon guy, I still need to obtain utilized to not pressing the appropriate side of the Direction pad to go into a food selection item (you need to push the center button on the Sonys), which reduces me down a little bit, yet Sony themselves are consistent, so I can not whine. This is among the happiness of trying to move back and also forth in between maker’s systems: you’ll find these cognitive harshness to slow you down; which is one reason I advise you to stick to one maker or one more where feasible.

The click-stopped aperture ring is a good touch, and also it runs in third-stop intervals from f/2 to f/22. The command dial on top rear can function the shutter speeds for you, so those that like the retro type controls for the Big Three can operate in Manual direct exposure setting and also use three wonderful dials to set almost the ISO for direct exposure. The default is that the tiny button to the right of the shutter launch on the leading plate can be utilized to set ISO with a dial, so it isn’t away from retro.

On the whole, managing most points in capturing is straightforward and also doesn’t call for food selection dipping. Plus, once again, you have the capacity to designate points to 5 buttons (three of those are Direction Pad buttons, which would certainly permit you to set the RX1 to the same thing as any kind of various other compact electronic camera you could be using). All the controls are accuracy, have solid snap-to settings where required, and also really wonderful feeling to the turnings. Lens emphasis is fly-by-wire, yet the ring is smooth and also the motion is well regulated.

There are some points that aren’t as adorable as they should get on the RX1. To begin with, the macro setting for the lens is appropriate in advance next to the emphasis ring. In spite of the different feeling, greater than once I missed out on obtaining the appropriate ring when I wanted to use it. That was specifically true when I had the electronic camera approximately my face using the EVF.

Meanwhile, the LCD isn’t tiltable. If you aren’t using the EVF, you’re quite a lot in the “compact salute” setting, where you hold the (hefty) electronic camera just straight out from you.

The hot shoe has the digital links for the optional EVM1K EVF (US$ 450), and also I actually like the camera/EVF combination a lot. The EVF can tilt approximately 90 ° up, so this partly addresses the fixed LCD issue, at least for reduced angle capturing. Remarkably, Sony bills much more for a plain old optical viewfinder (V1K made by Zeiss for US$ 600).

Hands-on emphasis has some emphasis help that are helpful, beginning with a distance scale in the viewfinder (or LCD) and also either a 5.9 x or 11.7 x magnification of the central location. You can change for how long the electronic camera remains in multiplied sight, and also you can likewise have the electronic camera program emphasis coming to a head (yet just in multiplied sight). These points function okay on the rear LCD, much better on the EVF (which has even more resolution).

Lens: in a word: Zeiss. The center is possibly sharpest at f/4, the side at f/5.6, so f/4, f/5.6, and also f/8 are possibly the apertures you want to keep in the direction of, specifically if you obtain the RX1r design without the AA filter. That’s possibly because everyone now assumes that you can just “take care of” those points in software program.

Vignetting in raw files is quite high at f/2, nearing 2 stops at the corners, though the central location that doesn’t vignette is moderately big. By f/4 the lens is well behaved in vignetting, with just the extreme corners obtaining any kind of recognizable decrease.

Chromatic Aberration is quite well regulated, and also tends to be of the cyan/red type. I have not truly seen any kind of examples where I feel like I have to fix it. It’s just not infringing upon adequate pixels to be bothersome.

The lens has really visible barrel distortion of around 2%, and also it becomes worse at close emphasis (e.g. macro). This isn’t straight barrel distortion. It’s not fairly mustache distortion, either. To my eye, it appears like stepped barrel distortion, where as you relocate better from the center you struck factors where the “contour” obtains stronger. If direct distortion bothers you, you’ll intend to ensure you have a software application device that is developed particularly for this lens.

The good information is that this is a 35mm lens, so you could just Area Emphasis and also shoot. The hands-on emphasis controls come into play here, as does the DOF of a 35mm lens versus a more-normal 50mm lens. Yes, this electronic camera can be utilized as a road shooter, yet you’ll need to take a bit much more control and also depend much less on the autofocus than with some various other cameras would certainly make you do.

Resolution and also Dynamic Range: The 24mp Sony sensor is already well established. Also the previous variations utilized by Sony were fairly good, yet we’ve likewise seen how well the much more existing variations do on D3x and also D610 bodies among others. Simply put, really solid outcomes. Great deals of vibrant range, reduced noise breeding, solid resolution figures. What much more can you want?

I should mention that Sony isn’t providing you the raw values off the sensor. They prepare in some vignetting adjustment, yet they likewise use a fascinating type of compression that can lose some information, as well. Honestly, I have not seen any kind of files where I’m troubled by either, yet just note that you’re a little additional from the actual raw information the sensor accumulated than you think.

Moving from the menus and also controls of the RX1 to the RX100 and also back is like using to highly relevant cameras. Plus, once again, you have the capacity to designate points to 5 buttons (three of those are Direction Pad buttons, which would certainly permit you to set the RX1 to the same thing as any kind of various other compact electronic camera you could be using). That was specifically true when I had the electronic camera up to my face using the EVF.

You can change how long the electronic camera stays in multiplied sight, and also you can likewise have the electronic camera program emphasis coming to a head (yet just in multiplied sight). Yes, this electronic camera can be utilized as a road shooter, yet you’ll need to take a bit much more control and also depend much less on the autofocus than with some various other cameras would certainly make you do.|That hasn’t quit Sony’s RX100 line of compact point-and-shoot cameras from being extremely preferred. The new RX100 Mark VI, which sets you back $1,199.99, sets that huge sensor with an 8.3 x optical zoom lens that has way much more reach than you could ever obtain from your phone.

Premium pocket cameras like the Sony RX100 VI are the perfect mix in between mirrorless and also point-and-shoot. They allow you record thorough photo and also video clip far better than you can obtain with your phone, and then you can transfer those outcomes to your phone for posting to social networks.

Yet is the $1,200 price tag for the RX100 VI way expensive of an asking price for a point-and-shoot electronic camera? When it comes to the mobility and also efficiency the RX100 VI has, it’s remarkably worth it.

My first response to holding the RX100 is that it’s small. It’s thicker any kind of existing smartphone, naturally, yet its total footprint is minimal sufficient that it can fit in the majority of jean pockets. The build top quality of the RX100’s steel chassis is tough and also reliable, yet there’s no shock-resistance or waterproofing. You still need to look after it.

Also, the RX100 VI lacks any kind of type of grasp– rubber, faux-leather, or otherwise– and that can make it slippery to hold. Yet Sony offsets this by making the electronic camera lightweight (it’s just two-thirds of an extra pound), so while there are those that could think the RX100 VI is an extremely mini mirrorless electronic camera, it still is just a souped-up point-and-shoot.

There are a lot of buttons on the RX100– specifically for a point-and-shoot, so learning them all and also customizing the ones you’ll need most will certainly take some method using it in the area.

The fact that you can use the RX100 like you would certainly a compatible mirrorless electronic camera (like the Sony Alpha A7 cameras I reviewed) suggests it can fill in for circumstances where a compatible lens electronic camera is as well showy, hefty, or can not even be utilized securely. It’s suitable for traveling, as you do not need to lug a lot of lenses or worry about an expensive electronic camera gear bring in undesirable attention.

Compared to an entry-level mirrorless electronic camera, like Sony’s own a5100 that sets you back $450 with a kit lens, there are compromises yet likewise a couple of advantages in the RX100’s support. The RX100 VI’s long zoom lens provides you the reach of multiple lenses in one.

Capturing video clip in 4K or 1080p still results in crisp, clear, and also smooth footage with accurate color recreation. White equilibrium precisely alters from intense to poorly lit scenes, yet if you want the very best outcomes, you should use the RX100’s flatter color profile so you can color-correct the remainder in post-production.

The RX100 likewise has optical stablizing to smooth panning and also adjustments in elevation when you’re recording. It likewise does a suitable work maintaining stills from turning out fuzzy, yet naturally this obtains harder if you’re zoomed in on an away subject.

There is a crucial noninclusion for the RX100 VI: a microphone/ earphone port. It’s a fascinating layout decision by Sony because including a mic port would certainly put the RX100 VI’s video clip abilities on the same level with the mirrorless Sony Alpha cameras, and also make it a formidable vlogging electronic camera. It’s regrettable.

It’s a pity that the only sound recording choice is the average-sounding built-in stereo mic, because you can flip the screen approximately deal with towards you to use in selfie setting. Sony likewise boosts the RX100’s articulating screen by immediately using face detection if you aim it towards you, after that sets a three-second timer once you click the shutter button. It’s straightforward and also a very easy way for practicing your selfie angles.

Okay, so it shoots good video clip and also can take 20-megapixel selfies. Is the Sony RX100 an age-old shooter? Yes, yet it has its limitations: the RX100 doesn’t have as intense a lens when compared to last year’s brighter Mark V lens (f/1.8 vs. f/2.8). You’ll experience some extra noise or graininess and also slower shutter time if you want a suitable shot. It’s a trade-off Sony needed to make for the zoom lens, which is far longer than on earlier variations of the RX100. On the flip side, the RX100 VI prospers in well-lit environments whether it’s outdoors or inside.

Sony has squeezed in sufficient of a standard kit (zoom lens, a viewfinder, 4K, and also flash) to produce strong capturing efficiency capturing landscapes or topics. Also if you’re just an informal professional photographer and also this point-and-shoot is your only electronic camera besides your smartphone, the RX100 VI has sufficient versatility to shoot landscapes, topics, or practically anything else. Having 315 autofocus factors with a 200mm zoom lens always produces a better, sharper photo than your phone’s electronic camera and also lens configuration can round up, period.

Just like your phone, you’ll have to keep tabs on the RX100’s tiny battery. The battery fees via the microUSB port, and also lasts around 250 shots prior to needing a cost, or just a hr of video clip recording. You should definitely get an extra battery if you prepare to use the RX100 VI all day, because it definitely will not last with a busy day of capturing.

Sony likewise consists of the PlayMemories Mobile application for the RX100 on iphone and also Android, so wirelessly transferring photos (via Bluetooth, NFC, or Wi-Fi) to your phone works in a pinch. I state in a pinch because the PlayMemories application really feels outdated and also is in dire demand of a redesign, yet the basic photo transfer functions do operate at a suitable rate for just a couple of photos.

The Sony RX100 VI is a helpful and also incredibly helpful electronic camera. If you’re a traveler and also do not intend to lug an electronic camera bag loaded with lenses, flashes, and also audio devices, after that it’s a tiny yet effective choice. The $1,200 price tag could make you scoff at it, yet the efficiency is well beyond what you can obtain with your phone.

The RX100 VI is a Goldilocks electronic camera that strikes the sweet-spot in between mobility and also ability. It’s compact sufficient to go essentially all over, yet still provides much better photo and also video clip abilities compared to your phone. Besides, surprises can can be found in tiny plans.

In each instance, you can conserve a considerable amount over getting a brand-new, off-the-shelf electronic camera (this likewise is true for lenses, flashes, and also a few other accessories.) What are the differences and also advantages and also negative aspects of each?

Theoretically, it has really excellent specifications. A full-frame CMOS sensor that produces. 42MP images. A set 35mm f/2.0 Carl Zeiss lens. It’s brimming with attributes and also. innovations too many to checklist here. And also it’s all involved a bundle that. can fit in a coat pocket.

Here’s the kicker: it’s priced at $3900. That’s a number that’s tough to. neglect, and also it’s impossible not to judge a compact electronic camera in that price range or. any kind of electronic camera, for that matter without really high assumptions.

It has a 42.4 mega pixel full-frame CMOS sensor with a variable low-pass filter. The lens is a 35mm f/2 Carl Zeiss lens. And also it has built-in photo stablizing. It all amounts to superb photo top quality of the kind you expect from a premium. DSLR.

Sony photo sensing units are among the very best in business, and also the one they’ve placed. in this electronic camera is among their greatest.

It reveals. There’s truly not much I can fault in regards to photo top quality. The. mix of sensor and also lens functions extremely well indeed in a large range of. illumination problems.

At that price you can fill flash memory card really rapidly, so you can likewise call. down the photo size, with a lot of actions down to a 7.1 mega pixel size.

You can shoot RAW or RAW + JPEG, with a choice of top quality settings for the JPEGs. in the RAW + JPEG choice.

In method, I discovered the images up with at least ISO 25,600 to be. very good. Also at ISO 3200 there’s truly no recognizable noise to. mention. If you truly press points up to the upper limit, there’s. noise and also the color and also tone fidelity leaves fairly a lot, yet if it’s the. difference in between obtaining a shot or otherwise, even the images at 102,400 are really. functional.